Studiile incluse \u00een volum se bazeaz\u0103 pe o metodologie comun\u0103, \u0219i anume metoda Philther, care consider\u0103 spectacolul ca obiect al studiului teatral. Interpret\u0103m contextul cultural, particularit\u0103\u021bile regizorale \u0219i dramaturgice, jocul actorului, imaginea \u0219i sunetul exclusiv din perspectiva operei de art\u0103 \u0219i eviden\u021biem istoria impactului spectacolului. Metodologia de analiz\u0103 se bazeaz\u0103 pe o constatare simpl\u0103: dac\u0103 istoricii de art\u0103 consemneaz\u0103 natura efectului estetic, iar istoria operelor contureaz\u0103 istoria unui gen sau a operei unui creator, atunci \u0219i istoriile teatrului trebuie s\u0103 se concentreze asupra operelor, adic\u0103 asupra spectacolului teatral. Astfel, \u00een acest volum, cititorii vor g\u0103si analize ale unor opere artistice care, prin explorarea spectacolelor teatrale din Transilvania, Voivodina \u0219i Ungaria, scriu o istorie comun\u0103 a teatrului: istoria teatrului \u00een limba maghiar\u0103. Vom reuni cercet\u0103rile comune ale trei ateliere de teatrologie \u0219i vom prezenta cititorilor, \u00een 2026, rezultatele celor trei proiecte Philther-Hub, eviden\u021biind astfel diversitatea viziunilor asupra scrierii istoriei teatrului, pentru care Philther ofer\u0103 cadrul interpretativ. Pute\u021bi citi o analiz\u0103 despre primul Teatru din T\u00e2rgu-Mure\u0219, despre un spectacol de dans contemporan, despre drama secolului al XIX-lea, despre particularit\u0103\u021bile interpret\u0103rii lui Moli\u00e8re \u00een perioada socialist\u0103, despre avangarda controlat\u0103, despre performativitatea schimb\u0103rilor politice; totu\u0219i, toate aceste texte au \u00een comun faptul c\u0103, prin istoria spectacolelor, ele percep \u0219i fac vizibile obiceiurile culturale ale comunit\u0103\u021bii, repertoriul teatral \u0219i tradi\u021bia exprim\u0103rii scenice. Studiul introductiv al volumului a fost redactat de Andreas Kotte, care recunoa\u0219te particularit\u0103\u021bile istoriografiei transmise prin intermediul spectacolelor \u0219i pozi\u021bioneaz\u0103 astfel metoda Philther \u00een cadrul \u0219tiin\u021bei teatrale contemporane. Tehnica sistematizat\u0103 a lui Philther, cu cele \u0219ase criterii ale sale, permite ca opera de art\u0103 s\u0103 fie corelat\u0103 fie cu perioada literar\u0103, fie cu evenimentele din istoria institu\u021biei sau a carierei actorului, dar permite, de asemenea, ca analiza s\u0103 eviden\u021bieze propor\u021biile eventual diferite dintre cele \u0219ase criterii. Punctul forte al volumului const\u0103 \u00een faptul c\u0103 reune\u0219te lucr\u0103rile unor cercet\u0103tori forma\u021bi \u00een medii educa\u021bionale \u0219i \u0219tiin\u021bifice diferite, care \u00ee\u0219i desf\u0103\u0219oar\u0103 activitatea oficial\u0103 \u00een trei \u021b\u0103ri diferite, \u00een trei limbi \u2013 maghiar\u0103, rom\u00e2n\u0103 \u0219i s\u00e2rb\u0103 \u2013, \u00eens\u0103 istoria teatrelor ni se prezint\u0103 prin prisma limbii maghiare sau a spectacolelor realizate de arti\u0219ti maghiari. Aceast\u0103 limb\u0103 maghiar\u0103 impregnat\u0103 de multilingvism se simte probabil chiar \u0219i \u00een analizele traduse \u00een englez\u0103.<\/p>\n
<\/p>\n
The studies in this volume employ a common methodology, known as the Philther, which regards the performance as the object of theatre studies. We interpret its cultural context, directorial and dramaturgical characteristics, the actors\u2019 performances, sight and sound exclusively from the perspective of the work of art, and we trace its impact from the perspective of the performance as a whole. The analytical methodology is based on simple observations: if art historians document the nature of aesthetic impact, and the history of art works traces the history of a genre or an artist\u2019s oeuvre, then histories of the theatre must also focus on the works\u2014which in this case are theatrical performances. In this volume, readers will find analyses of theatrical works that, by examining productions from Transylvania, Vojvodina, and Hungary, trace a shared history of theatre: the history of Hungarian-language theatre. We will bring together the joint research of three theatre studies workshops and present the findings of three Philther Hubs, showcasing the diversity of approaches to writing theatre history, for which in most cases Philther provides the interpretive framework. You can read analyses of the first theatre of T\u00e2rgu-Mure\u015f, a contemporary dance performance, 19th-century drama, the characteristics of Moli\u00e8re performances under state socialism, the avant-garde under control, and the performativity of political upheavals; yet what all these essays have in common is that they view and reveal the community\u2019s cultural customs, theatrical repertoire, and traditions of stage expression through the history of performances. The introductory essay to the volume was written by Andreas Kotte, who recognizes the distinctive features of the historiography conveyed through the performances and thus situates the Philther method within the framework of contemporary theatre studies. Philther\u2019s systematic approach, consisting of six criteria, allows the work of art to be linked to events in literary history, the history of an institution, or an actor\u2019s career, while also permitting the analysis to highlight the potentially varying proportions among the six criteria. The strength of this volume lies in the fact that it brings together the writings of researchers who have been shaped by diverse educational and academic traditions; while they conduct their official business in three different countries and in three languages\u2014Hungarian, Romanian, and Serbian\u2014theatre history is presented to us through performances staged in Hungarian or featuring Hungarian artists. This Hungarian, steeped in multilingualism, may even be discernible in the analyses translated into English.<\/p>","protected":false},"excerpt":{"rendered":"
Studiile incluse \u00een volum se bazeaz\u0103 pe o metodologie comun\u0103, \u0219i anume metoda Philther, care consider\u0103 spectacolul ca obiect al studiului teatral. Interpret\u0103m contextul cultural, particularit\u0103\u021bile regizorale \u0219i dramaturgice, jocul […]<\/p>\n","protected":false},"featured_media":14814,"comment_status":"open","ping_status":"closed","template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"product_brand":[],"product_cat":[217],"product_tag":[3013,3011,3012],"product_publisher":[],"class_list":["post-14817","product","type-product","status-publish","has-post-thumbnail","product_cat-teatru-si-artele-spectacolului","product_tag-arpad-kekesi-kun","product_tag-erzsebet-bob-fulop","product_tag-magdolna-jakfalvi","first","instock","shipping-taxable","product-type-simple"],"yoast_head":"\n