The book chalanges the readers, at first sight, through an introspection over the two main things which lead to the success in the acting creativity- the text for the performance to come and the scene character construction. The later part of the book presents, from the thematic point of view, the atypical forms of theatre which preoccupied various eminent people and have an impact over the construction of the new role/ part as well as over the thinking mechanism of the contemporary actor, exemplified by the French Cartel movement led by Jacques Copeau. It can also be regarded as a directing notebook/plan of a show.

The first three chapters present the research of the actor’s development zone and establish identities of his psychology. A theoretical approach is taken into account and a number of definitions  and concepts over the actor notion are being proved , from the first theoretical evidences up to nowadays artistic axiology. A survey which regarded the spontanous defining of the actor as a term and the complexity of perception in approaching a topic.

The study is also based on the way of theoretical interpretation of creation and creativity itself, considering as required  the actor’s work approach on pyichological, ethical, philosophical, sociological and religious issues from the inter- disciplinar perspestive.

The last two chapters present the atypic theatre condition, from the point of view of its upcoming on the worldwide cultural market, as well as based on the remarcable results of how this kind of productions allow the actor to have a greater socio- cultural involvement.